This Notablog post is another installment in my ongoing “Dialogues with Ryan” series, an index to which can be found here. Ryan Neugebauer is a very dear friend. I recently highlighted his wonderful interview on The Enragés [YouTube link].
In considering the topic at hand of “Woke” and “Anti-Woke”, let me just say that the very word “Woke” verges on becoming what Ayn Rand once called an “anti-concept” insofar as it entails some kind of “’package-deal’ of disparate, incongruous, contradictory elements taken out of any logical conceptual order or context”. Indeed, at this stage, it has become a mere pejorative, which in the hands of its ‘opponents’ is used as a bludgeon against any legitimate social justice cause.
Given these conditions, I’d like to state upfront that my values are fairly in sync with the causes of social justice. When I hear prospective GOP presidential candidate Governor Ron “DeSantimonious” tell folks that the “free state of Florida” is the place “where woke goes to die” and that he’d like to extend his anti-choice, anti-gay, anti-trans, anti-“CRT”-bullying to the country-at-large, I want to puke. Not because there aren’t problems with some of the Woke Warriors (I’ll get to that in a minute), but because his agenda is blatantly authoritarian and no friend to the cosmopolitan cultural values requisite to the sustenance of a free and civil society.
That said, over the course of the past few months, my dialogues with Ryan have focused on several things that need qualification and clarification. Because from what I’ve seen from both the “Woke Warriors” and the “Anti-Woke Crusaders”, I think there is a “false alternative” at work, which is rarely if ever acknowledged. As Rand often said of many of the conventional dichotomies we face in philosophical, cultural, and political discourse: “These two positions appear to be antagonists, but are, in fact, two variants on the same theme, two sides of the same fraudulent coin …”
And in the case of the Woke Warriors and the Anti-Woke Crusaders, the parallels have become all too ominous.
Some of this was touched upon in my previous discussions with Ryan over the problems with cancel culture, but so much more has come to light in the wake of two recent events: 1) the release of the Hogwart’s Legacy video game, which prompted a call to ‘boycott’ that game and all things related to J. K. Rowling because of her strident anti-trans views and 2) this past weekend’s 95th Annual Academy Awards, which prompted condemnations right and left. The Oscars are typically dismissed by conservatives for their ‘woke ideology’ that caters to “inclusivity”. Some of my Objectivist pals went so far as to condemn the Best Picture-winner, “Everything Everywhere All at Once” for its alleged “postmodern incoherence”—perhaps a sign that their “crow” was overloaded, and that they couldn’t quite compute a storyline steeped in nuance and complexity. Some keen observers have interpreted that unique, if challenging, film thru the lens of ‘metamodernism’, in which chaos and catharsis meet, providing us with a reaffirmation of shared values that underscore our common humanity (“we are all useless alone”), our need for efficacy (“it’s only a matter of time before everything balances itself out”) and our yearning for connection (“I will always, always want to be here with you”)—all gloriously sentimental lines that one could not possibly find in a film derided as “nihilistic.”
But then there were those among “cringey ‘progressives’”, as Ryan calls them, who dumped on Best Actor Oscar-winner Brendan Fraser, who starred in “The Whale”. Why? — you may ask. Because he portrayed an obese gay man, while being neither obese nor gay in real life. The Guardian went so far as to call the film “a joyless, harmful fantasy of fat squalor”. Such cringey ‘progressive’ attitudes ignore the remarkably humane, moving, and heartbreaking performance of its lead actor, who embodied (in more ways than just the physical) a character full of regrets, trying to bridge the gaps in his life among family and friends. Along the way, that film confronts not only issues of sexuality, grief, disconnectedness, and alienation, but also the tragic consequences of religious bigotry, and how it can erode the human soul.
Alas, all of this is symptomatic of a deepening cultural divide. Anti-Woke Crusaders on the right have been trying to suppress every and any mention of ‘the other’ in libraries and books, in classrooms and even in Disneyworld—a clear swipe at people who are not white, male, heteronormative, or otherwise ‘normal’ and ‘decent. But their campaign has metastasized, leading to the banning of literary classics—such as A Room With a View, Madame Bovary, and Paradise Lost. Even Ayn Rand’s The Fountainhead has been targeted for its “rape-by-engraved invitation” scene. (What’s next? The Dictionary?) Likewise, the Woke Warriors on the left have been denouncing and trying to suppress anything that does not fall perfectly in line with their social justice ideals. And if a book can’t be suppressed, then it must be ‘sanitized’ and ‘rewritten’ to conform to those ideals. What we continue to witness is a ‘take-no-prisoners’ culture war, where each side is so caught up in its own narratives, so undialectical, that they blind themselves to the fuller context of any specific issue they address.
Can “Bad” People Create “Good” Art?
Back in 2019, in an article entitled “Michael Jackson, Ten Years After: Man or Monster in the Mirror?”, I addressed the issue of whether people whom we perceive as “bad” can in fact create good art. I am the first person to stand up for the principle that our understanding of any artist or thinker is deeply enriched by understanding their life and context (Ayn Rand: The Russian Radical, anyone?). I am also of the belief that it is possible—even necessary—to be able to separate the creator from the creation. It’s a hermeneutical truth, as Paul Ricoeur would have emphasized, that every creation is “detached from its author and develops consequences of its own. In so doing, it transcends its relevance to its initial situation and addresses an indefinite range of possible readers.” Every time any creation—be it a book, idea, or artwork—enters the world, it leaves the domain of the creator and begins to speak to countless individuals in myriad ways. And every time each of us, as “readers”, is exposed to that creation, our response to it remains deeply personal, profoundly entwined with our own emotions and life experiences. And that is as it should be.
But things are never quite as they should be.
On February 10, 2023, after the Potter video game was released, my friend Ryan remarked in a Facebook post:
I don’t think it’s inherently wrong to enjoy Harry Potter stuff while opposing JK and her transphobia. I’m tired of puritanical nonsense in social justice circles. There are people who would say that if you grew up enjoying those movies and got a set of the movies before you knew anything about her transphobia, you’re still expected to give up watching and enjoying them. I find that so utterly absurd.
When Ryan wrote that, it was as if the world stopped spinning on its axis for a few folks; many people became incensed over it. And so, I not only came to Ryan’s defense, but took it a few steps further:
This whole thing is INSANE. And now, I’m just going to get on my soap box and let the chips fall where they may! I understand people’s concerns over this issue of putting money into the pockets of those whose views or actions we find abhorrent. Everybody is entitled to make their own decisions on this. But … I have every Harry Potter book, audio book, and DVD, not to mention all the soundtracks to every one of the films. I even bought Harry Potter figurines for loved ones who were in love with the Potter franchise. I despise Rowling’s anti-trans views, but dems de breaks. In the wide scheme of things, my dollars mean little. But if I had to stop myself from purchasing the products of artists / intellectuals who have had moral and legal issues, FUHGEDABOUDIT. I might as well start climbing down into hell right now.
Michael Jackson may very well have been a pedophile, even though he wasn’t convicted in a court of law. I love his music and have bought every MJ release in history; I saw him in person twice, and even saw “MJ: The Musical”. Roman Polanski is a fugitive from justice for having been arrested for drugging and raping a 13-year-old girl; I have purchased DVDs and Blu-Rays of some of his greatest films: “Chinatown”, “Rosemary’s Baby”, and “The Pianist”. Frank Sinatra may have been involved with the mob and may have been a notorious ‘womanizer’; I can’t count the number of CDs or the number of films of his that I have purchased over the years.
Suppose the estates of Pierre-Joseph Proudhon, Mikhail Bakunin and Richard Wagner were still collecting royalties. Those notorious anti-Semites! Woops… I own a lot of the literature of Proudhon and Bakunin and some of the great music of Wagner. To hell I shall go! (I’ll sidestep Kanye West, because I’m not a fan!)
I’d like to find other means of procuring stuff so that it doesn’t appear that I’m “sanctioning” flawed human beings. (Christ, that sounds so Randroid!) But if I can’t, I won’t, and I sure as hell will NEVER censor my aesthetic responses based on the fact that so many people who have contributed to the art and thought of this world are terribly flawed human beings in real life. It may be easier in this day of YouTube to create playlists of musicians without having to pay for it, and I’m all for getting things for less money or for free. But finding pirated copies of films to substitute for the real thing typically doesn’t work; their quality sucks. And in the end, life is too short. I’m just not going to deny myself the pleasure of enjoying the things I love because some of the people who create these works suck as human beings. I’m sure if people look into my past, they’ll find a few skeletons too. “He who is without sin” and all… and yep, I’ll die on this hill.
Moreover, I lamented that —
We live during a period where intolerance of difference has become a virtue. And I’m NOT saying that tolerance requires us to hug Nazis and Tankies; I’m only saying: let’s cut each other a little slack. It’s possible even for people who share broad fundamental values to have lots of differences between them. I relish that! Celebrate the differences, be open to discussing and learning from one another, give people the benefit of the doubt. It’s not all “black-and-white”; life is often an exercise in many shades of gray. And moreover, life is too short.
Greater Clarity
The following day, Ryan observed:
Since September 2018 (when I made this account), I’ve been unfriended by several Left-Libertarians and several Conservatives. Funny enough for different stances on the same issues. The Left-Libertarians unfriended me over my lack of puritanism around their conception of identity politics and the Conservatives unfriended me for my defense of Trans/Non-binary identities. Most recently, a right-wing moron from my high school days unfriended me because I called out his stupidity on Trans/Non-binary people. And yesterday I got unfriended by a Left-Libertarian for defending my continued consumption of Harry Potter content. You can’t please everyone and you shouldn’t submit to someone just because they throw a fit. I’d rather people who you have to walk on eggshells around take themselves out of my life. I don’t enjoy being around such suffocating energy. … I don’t kick people out of my life who go to Chick-fil-A, despite my issues with that company donating to anti-LGBT causes. If you do, that’s your prerogative and I won’t shame you for it. But I don’t think these are healthy ways of relating to others. … People who have a certain rigidity on social justice discourse … act like religious conservatives who are investigating thought crime.
Upon reflection, that last sentence, which I’ve highlighted, struck a chord in me: indeed, it is the key to the title of this post. And it wasn’t until after Brendan Fraser won his Best Actor Oscar that it all became clearer. As Ryan remarked:
I swear, some people spend all their days looking for things to be outraged about or to critique. And they cannot stand when others are not in agreement with their critique. …
Just as I call out and condemn the right-wing for their “anti-wokeness” and bigotry, I try my best to call out what I consider absurd, cringey, and outright wrong social “progressivism”.
There’s a contingent of people who will shit on just about anything that doesn’t meet their conception of purist standards. On their view, only a gay man can play a gay man. Only a Trans person can play a Trans person. And so on. Some critique this film [“The Whale”] because Brendan Fraser used prosthetics. First of all, his character was supposed to be like 600 lbs. Goodluck finding a solid actor who weighs that much and can actually do the role without negative consequences. Not to mention, I don’t think any of us would say that’s a good state of affairs to be in (it’s objectively unhealthy and a serious situation).
There’s something to be said for opposing fatphobia, but there’s also something to be said for not glorifying truly unhealthy situations. You don’t castigate and dehumanize people, but you also don’t sugarcoat brutal realities. And in fact, the most HUMAN person in the whole film IS Brendan’s character. This movie made me tear up throughout the entire thing. It addressed multiple difficult issues that intersected (struggles of coming out, a family broken up, struggles with intense weight, grief, etc.). It also involved an actor who was abused in real life. Seeing him triumph, as a survivor of sexual assault myself, was a beautiful thing that made me tear up all over again.
Seriously, if you can only think in such a narrow, one-dimensional way, I feel sorry for you. It cheats you out of the much more messy and complicated (and RICH) realities of actual life. And it leads to, in my opinion, overly rigid and hasty condemnations of things that aren’t even given a fair shake. If you don’t like the film, that’s fine. But if you just want to write it off as a flop that is only about “a fat man” portrayed with prosthetics and nothing more, then you’re just so wrong. It’s so much more than that! Brendan deserved the award, not out of pity due to his very real struggles, but due to an actually brilliant performance!
As a parting shot, he added:
St. Augustine supposedly self-flaggelated himself for essentially just being horny in his teens. Though, I can imagine today a cringey secular “progressive” violently whipping themselves for enjoying imperfect works of art. Or a Conservative “anti-woker” doing similarly for enjoying an actor who is Trans that they didn’t know was Trans. …
Ryan’s comments brought me to a realization about the nature of this conflict between the Woke Warriors and the Anti-Woke Crusaders, “two sides of the same fraudulent coin”. Not quite a “thesis-antithesis-synthesis” (which wasn’t even Hegel’s formulation)—but a necessary insight nonetheless. I wrote:
In truth, I have friends who are among the ‘anti-woke’ crowd and the cringey ‘progressive’ crowd, and I’ve noticed that they are almost two sides of the same coin, offering a false alternative of sorts. And you see this just in their reactions to a film or a performance alone. Each sets up an “ideal” of what they think is “right”, and they will censor their responses to art and deny every emotional reaction to anything that conflicts with their chosen ideal. And then, they’ll attempt to shame others who don’t respond similarly.
When we look at the craft of filmmaking, we can certainly judge some things “objectively”: the authenticity of the costumes, the quality of the cinematography, visual effects, sound effects, etc., in other words, the science of the craft of filmmaking. But when it comes to things like the performances by an actor, yes, there are technical “rights” and “wrongs”, but if the performance doesn’t speak to you, if it doesn’t get you ‘RIGHT HERE’ (in your heart, soul, etc.) … you’re just not going to respond to it positively. That’s where the “subjective” response of the viewer, who has a lifetime of emotional responses to countless events and experiences, either connects with what they’re seeing on the screen … or not. And ultimately, that’s what the response to art is about on a profoundly personal level: Do you connect with it?
I sometimes think that the “anti-wokesters” and the cringey “Woke Warriors” are trying to sever that connection on the basis of “principles” that they themselves can’t practice on a personal level. God forbid they react positively to something that “in principle” they denounce. They’re forced to twist themselves into ideological [or psychological] pretzels in order to justify how “awful” something actually is. They will engage in an act of self-censorship if that’s what it takes, or in an act of shaming those who have positive reactions to the things that they’re so busy denouncing. The Anti-Wokesters and the cringey “Woke Warriors” end up becoming mirror images of one another.
My response to art is never going to be dictated by ideology; I either like it or I don’t. I can give credit where credit is due to a technical achievement, but I think all this howling from both sides is so counter to the very human connection between the viewer and the artwork. If the art speaks to me, it speaks to me. Rigid ideologues be damned.
And that’s the bottom line: The Crusaders and Warriors, right and left, are ultimately adapting a rigid ideological, quasi-religious manner of engaging with the world. And on this, I’ll give the final word to Ryan:
If the “anti-woke” crowd and cringey “progressives” tore each other apart on an island somewhere, I think the rest of us would go on living in peace.
Amen, brother, amen!
Postscript (19 March 2023)
A H/T to my friend Michael Zigismund for bringing to our attention an article by my friend Cathy Young in The Bulwark, published on March 1, 2023. In “Ron DeSantis’s Illiberal Education Crusade“, Young writes:
In some ways, red-state “anti-woke” bills are broader and cruder in their attempts at speech regulation: No campus policy against “discriminatory speech” has ever tried to kill entire academic programs and majors the way HB 999 would kill critical race scholarship and gender studies. (Here, DeSantis is taking a page from Hungarian Prime Minister Viktor Orbán, the proud champion of “illiberal democracy” and the darling of American “national conservatives,” who signed a decree effectively banning gender studies programs in Hungarian universities five years ago.)
One may debate just how bad things have gotten in the academy. (The Knight Foundation, which has done annual surveys on the campus climate for speech since 2016, finds that close to 60 percent of students believe freedom of speech is more important than for a campus to be made “safe” from offensive speech or ideas.) But in any case, the notion that political pressures on the right can “fix” the damage from political pressures on the left is deeply misguided. The most likely result of these interventions in Florida—and similar legislation now being proposed in other states following Florida’s example—will be further polarization and wagon-circling. The left will brush aside critiques of speech suppression by institutional power and cultural diktat, arguing that only censorship by the government matters. The right will defend political interventions as the only way to curb the progressive stewards of culture and academe. This particular culture war may turn into a race to the bottom between the “red” and the “blue”: legally and institutionally coercive crusades to squash “wokeness” on the “red” side, knee-jerk defenses of “woke” institutional and cultural coercion on the “blue” side.
Indeed, the illiberalisms of left and right are slowly eroding the cosmopolitan values upon which a free and open society depends. The conservative right goes crazy when it hears that the books of Mark Twain or Roald Dahl are being sanitized, but instead of standing up for preserving the integrity of texts or contextualizing them for the importance of historical authenticity, it strikes back with policies that try to eliminate all mentions of “wokeness” in the curriculum, such that one publisher, Studies Weekly, has now gone to extensive lengths to publish “multiple versions of its social studies material, softening or eliminating references to race — even in the story of Rosa Parks — as it sought to gain approval in Florida,” as the New York Times has reported. When will the madness end?
