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    C4SS: MES on “Anarchism & Egoism”

    Published by

    cmsciabarra

    on

    February 7, 2022

    This announcement comes from my friend Cory Massimino with regard to an upcoming Mutual Exchange Symposium sponsored by the Center for a Stateless Society on the topic of “Anarchism & Egoism“: I’m very excited about this month’s Mutual Exchange Symposium. We’ll have contributions from some great folks, including Jason Byas,…

    Continue reading →: C4SS: MES on “Anarchism & Egoism”
  • Film / TV / Theater Review, Music

    Song of the Day #1911

    Published by

    cmsciabarra

    on

    February 7, 2022

    Song of the Day: Taxi Driver (“Soundtrack Suite”) [YouTube link], composed by Bernard Herrmann, concludes our 5-day mini tribute to this film score maestro. This was the composer’s final film score before his death on Christmas Eve in 1975. He didn’t live to see the film’s debut on February 8,…

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  • Film / TV / Theater Review, Music

    Song of the Day #1910

    Published by

    cmsciabarra

    on

    February 6, 2022

    Song of the Day: The Ghost and Mrs. Muir (“Soundtrack Suite”) [YouTube link], music by Bernard Herrmann, harks back to his early years as a film score composer. This suite, derived from the soundtrack to the enchanting 1947 fantasy film, starring Gene Tierney and Rex Harrison, features some of the…

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  • Film / TV / Theater Review, Music

    Song of the Day #1909

    Published by

    cmsciabarra

    on

    February 5, 2022

    Song of the Day: Marnie (“Soundtrack Suite”) [YouTube link], composed by Bernard Herrmann, is the third of our 5-day mini-tribute to this cinematic score legend. This score for the 1964 film starring Sean Connery and Tippi Hedren, was the last of Herrmann’s seven collaborations with Hitchcock.

    Continue reading →: Song of the Day #1909
  • Film / TV / Theater Review, Music

    Song of the Day #1908

    Published by

    cmsciabarra

    on

    February 4, 2022

    Song of the Day: Vertigo (“Soundtrack Suite”) [YouTube link], composed by Bernard Herrmann, is the second suite in our 5-day mini-tribute to one of the finest composers to touch cinematic history. The soundtrack to this film is one of his crowning achievements—yet another of his collaborations with Alfred Hitchcock, who…

    Continue reading →: Song of the Day #1908
  • Film / TV / Theater Review, Music

    Song of the Day #1907

    Published by

    cmsciabarra

    on

    February 3, 2022

    Song of the Day: North by Northwest (“Soundtrack Suite”) [YouTube link], composed by Bernard Herrmann, is one of the highlights to this 1959 film, directed by Alfred Hitchcock, starring Cary Grant, Eva Marie Saint, and James Mason. I know it’s a tough call, but this remains my all-time favorite among…

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  • Film / TV / Theater Review, Music

    Song of the Day #1906

    Published by

    cmsciabarra

    on

    February 2, 2022

    Song of the Day: Godzilla (“Soundtrack Suite”) [YouTube link], composed by Akira Ifukube, derives from the original 1954 Japanese film, “Gojira,” which was re-edited for US release in 1956 as “Godzilla, King of the Monsters!“, with the addition of actor Raymond Burr. In case you didn’t notice, “Godzilla” begins with…

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  • Culture, Dialectics, Periodicals, Politics (Theory, History, Now)

    C4SS: “Lockdowns, Libertarians, and Liberation” (Reboot)

    Published by

    cmsciabarra

    on

    February 1, 2022

    An edited version of the twenty-first installment in my Coronavirus series (“Lockdowns, Libertarians, and Liberation“), which originally appeared on Notablog on 5 May 2020, has been published today by the Center for a Stateless Society (see here). Another installment in that series will be republished by C4SS in about a…

    Continue reading →: C4SS: “Lockdowns, Libertarians, and Liberation” (Reboot)
  • Film / TV / Theater Review, Music

    Song of the Day #1905

    Published by

    cmsciabarra

    on

    February 1, 2022

    Song of the Day: The Godfather Trilogy (“Soundtrack Suite”) [YouTube link], with composing credits going both to Nino Rota and Carmine Coppola, takes musical highlights from Francis Ford Coppola‘s gangster epic: “The Godfather” (1972), “The Godfather, Part II” (1974), and “The Godfather, Part III” (1990). It’s hard to believe that…

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  • Culture, Frivolity, Personal, Politics (Theory, History, Now), Rand Studies, Remembrance

    NYC is Alive and Well …

    Published by

    cmsciabarra

    on

    January 31, 2022

    With apologies to some of my pals at The Atlas Society, who recently posted a video saying that “New York City Is Now The Biggest Sh*thole In America“, this city will never die! We’ve been through civil unrest and riots, crime waves, antiwar protests, 9/11, Superstorm Sandy, and the trials…

    Continue reading →: NYC is Alive and Well …
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Chris Sciabarra, April 2022 Coney Island Parachute Jump, Brooklyn, New York

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Acknowledgement

Thanks to Peter Saint-Andre for setting up this site!

Archive

  • Notablog Monthly Archives: 2002 – 2020

Homepage

  • Chris Matthew Sciabarra’s Dialectics and Liberty Website

Books

  • Total Freedom: Toward a Dialectical Libertarianism
  • Ayn Rand: The Russian Radical
  • Marx, Hayek, and Utopia
  • Feminist Interpretations of Ayn Rand (co-editor with Mimi Reisel Gladstein)
  • The Dialectics of Liberty: Exploring the Context of Human Freedom (co-editor with Roger E. Bissell and Edward W. Younkins)

Monographs & Journals

  • Ayn Rand: Her Life and Thought
  • Ayn Rand, Homosexuality, and Human Liberation
  • The Journal of Ayn Rand Studies

Other Writings

  • Published Writings (Complete List)
  • Essays
  • SOLO HQ/Free Radical Articles
  • Liberty & Power Group Blog Posts
  • Doctoral Dissertation

Miscellaneous

  • About the Author
  • Forthcoming
  • Dialectics & Liberty Cyberseminar
  • Gallery
  • Sci-Links (Sciabarra’s Links/Blogroll)

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