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    Song of the Day #1931

    Published by

    cmsciabarra

    on

    February 27, 2022

    Song of the Day: In the Line of Fire (“Soundtrack Suite”) [YouTube link], composed by Ennio Morricone, provides a musical landscape of tension that undergirds this 1993 political action thriller starring Clint Eastwood, Rene Russo, and the maniacal Oscar-nominated John Malkovich. This is the first of two back-to-back suites from…

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  • Culture, Film / TV / Theater Review, Frivolity, Politics (Theory, History, Now)

    Classic Insult Humor

    Published by

    cmsciabarra

    on

    February 26, 2022

    After a recent discussion on Notablog that examined cancel culture and comedy, I was watching the film “Touch of Evil” (1958), starring Orson Welles, and I got a kick out of the fact that Welles—who also directed and wrote the screenplay for the film—incorporated a jab at his own weight…

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  • Dialectics, Politics (Theory, History, Now), Rand Studies, Remembrance

    Ukraine & Moral Outrage

    Published by

    cmsciabarra

    on

    February 26, 2022

    Since Russia’s invasion of Ukraine, I have read quite a few articles by libertarians and fellow travelers who are understandably concerned about US intervention overseas. An article at antiwar.com highlights US hypocrisy in its stance toward the Putin regime, while other writers express the hope that President Biden will show…

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  • Film / TV / Theater Review, Music

    Song of the Day #1930

    Published by

    cmsciabarra

    on

    February 26, 2022

    Song of the Day: The Adventures of Robin Hood (“Soundtrack Suite”) [YouTube link], composed by Erich Wolfgang Korngold, features grand themes from the Oscar-winning score to this rousing 1938 swashbuckling adventure, directed by Michael Curtiz and William Keighley. It stars Errol Flynn in the title role, Basil Rathbone, Claude Rains,…

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  • Film / TV / Theater Review, Music

    Song of the Day #1929

    Published by

    cmsciabarra

    on

    February 25, 2022

    Song of the Day: King Kong (“Soundtrack Suite”) [YouTube link], composed by Max Steiner, is credited as the first score written in a way to parallel, enhance, and support the narrative to a film—and “movie music” has never been the same since. So singular was Steiner’s achievement for this 1933…

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  • Film / TV / Theater Review, Music

    Song of the Day #1928

    Published by

    cmsciabarra

    on

    February 24, 2022

    Song of the Day: Summer of ’42 (“Soundtrack Suite”) [YouTube link], composed by Michel Legrand, provides a glimpse of this deeply romantic Oscar-winning score for the 1971 tender coming-of-age film, starring Jennifer O’Neill and Gary Grimes. On this date, 90 years ago, in 1932, the Legendary Legrand was born.

    Continue reading →: Song of the Day #1928
  • Culture, Dialectics, Education, Film / TV / Theater Review, Foreign Policy, Pedagogy, Politics (Theory, History, Now), Rand Studies, Religion, Sexuality

    DWR (5): On Cancel Culture, Comedy, and Compassion

    Published by

    cmsciabarra

    on

    February 23, 2022

    The other day, in the New York Daily News, one of my favorite comic strips, “Pearls Before Swine”, by Stephan Pastis, featured this commentary on our age: “The Judgment Age”… or maybe, the “Snap-Judgment Age”… either way, Pastis is just touching upon a very touchy subject. In my ongoing Facebook…

    Continue reading →: DWR (5): On Cancel Culture, Comedy, and Compassion
  • Film / TV / Theater Review, Music

    Song of the Day #1927

    Published by

    cmsciabarra

    on

    February 23, 2022

    Song of the Day: Lady Usher (“Suite”) [site link], composed by Michael Gordon Shapiro, is a lovely suite of selections from the soundtrack to this 2021 creepy thriller with a twist, based on Edgar Allan Poe‘s Gothic tale, “The Fall of the House of Usher.” My friend Mike outdoes himself…

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  • Film / TV / Theater Review, Music

    Song of the Day #1926

    Published by

    cmsciabarra

    on

    February 22, 2022

    Song of the Day: Far From Heaven (“Suite”) [YouTube link], composed by Elmer Bernstein, was the final film and the final Oscar-nominated soundtrack of Bernstein’s illustrious career. This 2002 film, written and directed by Todd Haynes, is an homage to the 1950s films of Douglas Sirk, exploring themes of race,…

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  • Austrian Economics, Culture, Dialectics, Education, Pedagogy, Politics (Theory, History, Now), Rand Studies, Sexuality

    C4SS: A Dialectical Rand for an Egoist Anarchism

    Published by

    cmsciabarra

    on

    February 21, 2022

    I was invited by my friend Cory Massimino to contribute to a Center for a Stateless Society discussion, a Mutual Exchange Symposium on “Anarchism & Egoism“. It’s entitled “A Dialectical Rand for an Egoist Anarchism” (link).

    Continue reading →: C4SS: A Dialectical Rand for an Egoist Anarchism
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Chris Sciabarra, April 2022 Coney Island Parachute Jump, Brooklyn, New York

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Acknowledgement

Thanks to Peter Saint-Andre for setting up this site!

Archive

  • Notablog Monthly Archives: 2002 – 2020

Homepage

  • Chris Matthew Sciabarra’s Dialectics and Liberty Website

Books

  • Total Freedom: Toward a Dialectical Libertarianism
  • Ayn Rand: The Russian Radical
  • Marx, Hayek, and Utopia
  • Feminist Interpretations of Ayn Rand (co-editor with Mimi Reisel Gladstein)
  • The Dialectics of Liberty: Exploring the Context of Human Freedom (co-editor with Roger E. Bissell and Edward W. Younkins)

Monographs & Journals

  • Ayn Rand: Her Life and Thought
  • Ayn Rand, Homosexuality, and Human Liberation
  • The Journal of Ayn Rand Studies

Other Writings

  • Published Writings (Complete List)
  • Essays
  • SOLO HQ/Free Radical Articles
  • Liberty & Power Group Blog Posts
  • Doctoral Dissertation

Miscellaneous

  • About the Author
  • Forthcoming
  • Dialectics & Liberty Cyberseminar
  • Gallery
  • Sci-Links (Sciabarra’s Links/Blogroll)

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