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    Song of the Day #1929

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    cmsciabarra

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    February 25, 2022

    Song of the Day: King Kong (“Soundtrack Suite”) [YouTube link], composed by Max Steiner, is credited as the first score written in a way to parallel, enhance, and support the narrative to a film—and “movie music” has never been the same since. So singular was Steiner’s achievement for this 1933…

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  • Film / TV / Theater Review, Music

    Song of the Day #1928

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    cmsciabarra

    on

    February 24, 2022

    Song of the Day: Summer of ’42 (“Soundtrack Suite”) [YouTube link], composed by Michel Legrand, provides a glimpse of this deeply romantic Oscar-winning score for the 1971 tender coming-of-age film, starring Jennifer O’Neill and Gary Grimes. On this date, 90 years ago, in 1932, the Legendary Legrand was born.

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  • Culture, Dialectics, Education, Film / TV / Theater Review, Foreign Policy, Pedagogy, Politics (Theory, History, Now), Rand Studies, Religion, Sexuality

    DWR (5): On Cancel Culture, Comedy, and Compassion

    Published by

    cmsciabarra

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    February 23, 2022

    The other day, in the New York Daily News, one of my favorite comic strips, “Pearls Before Swine”, by Stephan Pastis, featured this commentary on our age: “The Judgment Age”… or maybe, the “Snap-Judgment Age”… either way, Pastis is just touching upon a very touchy subject. In my ongoing Facebook…

    Continue reading →: DWR (5): On Cancel Culture, Comedy, and Compassion
  • Film / TV / Theater Review, Music

    Song of the Day #1927

    Published by

    cmsciabarra

    on

    February 23, 2022

    Song of the Day: Lady Usher (“Suite”) [site link], composed by Michael Gordon Shapiro, is a lovely suite of selections from the soundtrack to this 2021 creepy thriller with a twist, based on Edgar Allan Poe‘s Gothic tale, “The Fall of the House of Usher.” My friend Mike outdoes himself…

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  • Film / TV / Theater Review, Music

    Song of the Day #1926

    Published by

    cmsciabarra

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    February 22, 2022

    Song of the Day: Far From Heaven (“Suite”) [YouTube link], composed by Elmer Bernstein, was the final film and the final Oscar-nominated soundtrack of Bernstein’s illustrious career. This 2002 film, written and directed by Todd Haynes, is an homage to the 1950s films of Douglas Sirk, exploring themes of race,…

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  • Austrian Economics, Culture, Dialectics, Education, Pedagogy, Politics (Theory, History, Now), Rand Studies, Sexuality

    C4SS: A Dialectical Rand for an Egoist Anarchism

    Published by

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    February 21, 2022

    I was invited by my friend Cory Massimino to contribute to a Center for a Stateless Society discussion, a Mutual Exchange Symposium on “Anarchism & Egoism“. It’s entitled “A Dialectical Rand for an Egoist Anarchism” (link).

    Continue reading →: C4SS: A Dialectical Rand for an Egoist Anarchism
  • Film / TV / Theater Review, Music

    Song of the Day #1925

    Published by

    cmsciabarra

    on

    February 21, 2022

    Song of the Day: The Great Escape (“Soundtrack Suite”) [YouTube link], composed by Elmer Bernstein, is a terrific complement to the suspense and thrills of this 1963 epic POW film, directed by John Sturges. The all-star cast includes Steve McQueen, James Garner, and Richard Attenborough. It is said that Bernstein…

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  • Culture, Film / TV / Theater Review, Frivolity

    Pearls Before Swine TV

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    cmsciabarra

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    February 20, 2022

    Pearls Before Swine, by Stephan Pastis … longing for the good ol’ days…

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  • Film / TV / Theater Review, Music

    Song of the Day #1924

    Published by

    cmsciabarra

    on

    February 20, 2022

    Song of the Day: Lawrence of Arabia (“Soundtrack Suite”), composed by Maurice Jarre, highlights key themes from the 1962 Oscar-winning Best Picture, directed by David Lean, and starring Peter O’Toole as T. E. Lawrence, and a grand supporting cast featuring Alec Guinness, Anthony Quinn, Jack Hawkins, and Omar Sharif. The…

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  • Film / TV / Theater Review, Music

    Song of the Day #1923

    Published by

    cmsciabarra

    on

    February 19, 2022

    Song of the Day: How the West Was Won (“Soundtrack Suite”) [YouTube link], composed by Alfred Newman, provides the musical backdrop for this 1962 all-star epic Western, narrated by Spencer Tracy, directed in five chapters, variously by Henry Hathaway, John Ford, and George Marshall. Now that we are at the…

    Continue reading →: Song of the Day #1923
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Chris Sciabarra, April 2022 Coney Island Parachute Jump, Brooklyn, New York

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Acknowledgement

Thanks to Peter Saint-Andre for setting up this site!

Archive

  • Notablog Monthly Archives: 2002 – 2020

Homepage

  • Chris Matthew Sciabarra’s Dialectics and Liberty Website

Books

  • Total Freedom: Toward a Dialectical Libertarianism
  • Ayn Rand: The Russian Radical
  • Marx, Hayek, and Utopia
  • Feminist Interpretations of Ayn Rand (co-editor with Mimi Reisel Gladstein)
  • The Dialectics of Liberty: Exploring the Context of Human Freedom (co-editor with Roger E. Bissell and Edward W. Younkins)

Monographs & Journals

  • Ayn Rand: Her Life and Thought
  • Ayn Rand, Homosexuality, and Human Liberation
  • The Journal of Ayn Rand Studies

Other Writings

  • Published Writings (Complete List)
  • Essays
  • SOLO HQ/Free Radical Articles
  • Liberty & Power Group Blog Posts
  • Doctoral Dissertation

Miscellaneous

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