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    Song of the Day #2037

    Published by

    cmsciabarra

    on

    February 25, 2023

    Song of the Day: The Shawshank Redemption (“Main Theme”) [YouTube link] was composed by Thomas Newman of the Newman Movie Music Dynasty. It is derived from one of the most successful film scores of its era. The 1994 film, starring Morgan Freeman and Tim Robbins, is an intense, well-crafted, finely…

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  • Film / TV / Theater Review, Music

    Song of the Day #2036

    Published by

    cmsciabarra

    on

    February 24, 2023

    Song of the Day: The Thomas Crown Affair (“Soundtrack Suite”) [YouTube link], composed by Michel Legrand, is an indispensable extension of this 1968 heist film, starring Steve McQueen and Faye Dunaway. Though the nominated score didn’t win the Oscar that year, Legrand won an Oscar for Best Original Song, “The…

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  • Film / TV / Theater Review, Music

    Song of the Day #2035

    Published by

    cmsciabarra

    on

    February 23, 2023

    Song of the Day: Quigley Down Under (“Soundtrack Suite”) [YouTube link], composed by Basil Poledouris, enhances the Western motif of the 1990 film, starring Tom Selleck and Alan Rickman. The film may not have been a big hit, but its score remains a winner.

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  • Film / TV / Theater Review, Music

    Song of the Day #2034

    Published by

    cmsciabarra

    on

    February 22, 2023

    Song of the Day: BUtterifield 8 (“Gloria’s Theme”) [YouTube link], composed by Bronislaw Kaper, is from the 1960 film that brought Elizabeth Taylor her first of two Oscars (the other was for her raw performance in “Who’s Afraid of Virginia Woolf?“). It’s a lush theme befitting the composer of the…

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  • Film / TV / Theater Review, Music

    Song of the Day #2033

    Published by

    cmsciabarra

    on

    February 21, 2023

    Song of the Day: Making Contact (“Soundtrack Suite”) [YouTube link], composed by Paul Gilreath, is from a 1985 West German horror-fantasy film (also known as “Joey”), directed by Roland Emmerich, which features a demonic-possessed ventriloquist dummy named Fletcher, of whom I’m not too thrilled. Just as Emmerich provides various nods…

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  • Austrian Economics, Film / TV / Theater Review, Politics (Theory, History, Now), Remembrance

    Don Lavoie Lectures, 1980-1981: Part II

    Published by

    cmsciabarra

    on

    February 20, 2023

    Last Monday, February 13, 2023, I unveiled the first of three YouTube presentations featuring the late Don Lavoie. Today, the second installment debuts on my YouTube channel. “Planned Chaos: The Failure of Socialism” was recorded at New York University on September 23, 1980, as part of a series of lectures…

    Continue reading →: Don Lavoie Lectures, 1980-1981: Part II
  • Film / TV / Theater Review, Music

    Song of the Day #2032

    Published by

    cmsciabarra

    on

    February 20, 2023

    Song of the Day: Pirates of the Caribbean: The Curse of the Black Pearl (“Soundtrack Suite”) [YouTube link], composed by Klaus Bedelt, is from the 2003 film that began a five-film franchise. The score benefited from the collaboration of Hans Zimmer as well. It’s got all those rousing themes befitting…

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  • Dialectics, Periodicals, Politics (Theory, History, Now), Rand Studies

    Russian Radical Review in “Savvy Street”

    Published by

    cmsciabarra

    on

    February 19, 2023

    Marco den Ouden wrote a really nice retrospective review of my book, Ayn Rand: The Russian Radical for The Savvy Street. Marco writes: In a brilliant piece of philosophical detective work, Chris Matthew Sciabarra examines her Russian background and Russian education and discerns distinct influences of both on her methodology.…

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  • Film / TV / Theater Review, Music

    Song of the Day #2031

    Published by

    cmsciabarra

    on

    February 19, 2023

    Song of the Day: The Dead Zone (“Main Theme”) [YouTube link], composed by Michael Kamen, is a pensive theme from the 1983 science fiction thriller, directed by David Cronenberg, based on the 1979 Stephen King novel. It was recorded by the National Philharmonic Orchestra.

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  • Film / TV / Theater Review, Music

    Song of the Day #2030

    Published by

    cmsciabarra

    on

    February 18, 2023

    Song of the Day: Terms of Endearment (“End Credits”) [YouTube link], composed by Michael Gore, is one of the most poignant themes from this 1983 Oscar winning “Best Picture”, starring Debra Winger, and Oscar-winners Shirley MacLaine and Jack Nicholson. I was fortunate enough to see many of the lovely locations…

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Chris Sciabarra, April 2022 Coney Island Parachute Jump, Brooklyn, New York

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Acknowledgement

Thanks to Peter Saint-Andre for setting up this site!

Archive

  • Notablog Monthly Archives: 2002 – 2020

Homepage

  • Chris Matthew Sciabarra’s Dialectics and Liberty Website

Books

  • Total Freedom: Toward a Dialectical Libertarianism
  • Ayn Rand: The Russian Radical
  • Marx, Hayek, and Utopia
  • Feminist Interpretations of Ayn Rand (co-editor with Mimi Reisel Gladstein)
  • The Dialectics of Liberty: Exploring the Context of Human Freedom (co-editor with Roger E. Bissell and Edward W. Younkins)

Monographs & Journals

  • Ayn Rand: Her Life and Thought
  • Ayn Rand, Homosexuality, and Human Liberation
  • The Journal of Ayn Rand Studies

Other Writings

  • Published Writings (Complete List)
  • Essays
  • SOLO HQ/Free Radical Articles
  • Liberty & Power Group Blog Posts
  • Doctoral Dissertation

Miscellaneous

  • About the Author
  • Forthcoming
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  • Sci-Links (Sciabarra’s Links/Blogroll)

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