Song of the Day: Airport 1975 (“Main Title”) [YouTube link], composed by John Cacavas, opens the second installment in the “Airport” film series, inspired by the original Arthur Hailey novel (and 1970 film). George Kennedy (as Joe Patroni) was the only actor to star in all four films of the series (not counting the 1980 parody film, Airplane!). This 1974 film starred Charlton Heston, Karen Black, and Gloria Swanson (as herself) in her last film role. Not nearly as fine a production as its predecessor, it nevertheless went on to become the seventh highest-grossing film of 1974. And it sports an elegant main title.
Song of the Day #1835
Song of the Day: Marty (“Hey, Marty”) [YouTube link] features the music of Harry Warren (who was once characterized on TCM by Michael Feinstein as the most successful writer of popular songs in the twentieth century!) and the lyrics of Paddy Chayefsky, who wrote the screenplay for this 1955 Best Picture (based on his 1953 teleplay). Ernest Borgnine in the title role earned a Best Actor Oscar. The theme can be heard in varied orchestrations penned by Roy Webb throughout the film, but the song itself can be heard over the end credits.
Song of the Day #1834
Song of the Day: Mary Poppins (“Stay Awake”), words and music by brothers Richard M. Sherman and Robert B. Sherman, is a sweet lullabye sung by Oscar-winning actress Julie Andrews in this classic Disney tale. Yesterday, we dreamed. Today, we’re staying awake with a selection from this Oscar-winning score. Check it out here [YouTube link].
Song of the Day #1833
Song of the Day: The American President (“I Have Dreamed”), words and music by Richard Rodgers and Oscar Hammerstein II, was originally featured in the 1951 Broadway production of “The King and I,” but was never heard in the 1956 film version, except as a background theme prior to “We Kiss in a Shadow.” It is, however, featured in the 1999 animated version of “The King and I” [YouTube link], and over the end credits, by Barbra Streisand [YouTube link]. A lovely instrumental rendition arranged by Marc Shaiman is used in this 1995 romantic comedy-drama, which transcends party lines. Check out the version featured in the film [YouTube link] and then check out the original Broadway version (with Doretta Morrow and Larry Douglas), and versions by Sammy Davis, Jr. and Doris Day, whose rendition was Richard Rodgers’s favorite [YouTube links]. Given today’s date, I Have Dreamed of an early spring… despite the fact that Mother Nature just dumped a foot-and-a-half on NYC alone. Competing Groundhogs give us contrasting forecasts: Punxsutawney Phil says more winter’s ahead; Staten Island Chuck predicts an early spring. Go Chuck!
Song of the Day #1832
Song of the Day: The Wizard of Oz (“Follow the Yellow Brick Road/We’re Off to See the Wizard”), music by Harold Arlen, lyrics by Yip Harburg, begins my seventeenth annual Film Music February. This song is a highlight of one of the most beloved films in cinema history: the 1939 version of “The Wizard of Oz,” starring Judy Garland as Dorothy Gale. This year, the 93rd Annual Academy Awards have been postponed till the Spring, but our Film Music February remains. Our tribute to cinema music will begin and end with a selection from this 1939 gem. Check out this classic selection from the film [YouTube link].
Super Super Milesio
… I just love this kid (Roger Bissell‘s grandson). Any kid who can move (in a Jacob Collier mash-up) seamlessly from “The Flintstones” theme to Stevie Wonder’s “Don’t You Worry Bout a Thing” to the Beatles’ “Here Comes the Sun” is a Super Super Milesio! Bravo!
Song of the Day #1831
Song of the Day: Happy New Year [YouTube link], words and music by Bill Katz and Ruth Roberts, was recorded by the McGuire Sisters (for their 1958 album, “Greetings from the McGuire Sisters“). It’s not well known, but it’s full of all the joy and promise of the holiday. A Happy and Healthy New Year: Here’s to a better 2021! [And RIP, Phyllis McGuire, last surviving member of the trio!]

To 2020 (1): Counting My Blessings — But Don’t Let the Door Hit You On the Way Out…
Clichés, by definition, are trite and lacking in originality. But you’ll find more than a few in the following post. This year didn’t lack for originality, but it helped to illustrate more than a few clichés.
This week, I’ll be featuring a few hilarious tidbits from my favorite comic strip, “Pearls Before Swine” (created by Stephan Pastis), all centered on a single theme: What a Miserable Year 2020 Was! Today, it’s best captured by yesterday’s featured strip in the New York Daily News:

So, before we start counting our blessings, let’s review our journey through the utter misery of 2020. I wrote 29 Notablog installments on the Coronavirus pandemic, not to mention umpteen entries on everything from racism and social injustice to civil unrest and a crazier-than-usual election year. (In-between, there were nearly 100 new songs added to my “Song of the Day” series—because music helped to ease the pain of a year like no other.)
Our social fabric has been drowned in so much sadness—in grief, in fear, in pain, in anger—but somehow, we seem to have made it through to the end of 2020. Then again, there are still a few days left to this miserable year, and if 2020 has taught us anything, it is the truth of that other cliché: “Don’t count your chickens before they hatch!” Or as that old poster for “Jaws 2” once declared: “Just when you thought it was safe to go back into the water …” SLAM! The Great White Shark Shows Up Again!
For me, personally, I experienced more sorrow crunched into twelve months than I ever thought possible. I saw mass death and destruction in my hometown on a scale that, after living through 9/11 and Superstorm Sandy, I never could have imagined. I lost neighbors, friends, beloved local proprietors, colleagues, and even a cousin to a virus that hit New York City like a nuclear blast, with the fallout going on for months on end. I saw the ugliness of racial injustice give way to the agony of civil unrest. I saw political actors and political pundits incapable of dissecting, analyzing or helping to resolve complex social problems with intellectual scalpels, as they approached every issue with a sledgehammer, giving expression to yet another old cliché: “If all you have is a hammer, everything looks like a nail.”
But there was another side to this tale that reveals how many blessings I truly have.
Professionally, I count my blessings to have been here to celebrate the twentieth anniversary volume of a scholarly periodical that I cofounded way back in 1999: The Journal of Ayn Rand Studies. I also helped to organize and moderate an illuminating four-month Facebook symposium with over 100 members, including nearly all of the contributors to The Dialectics of Liberty: Exploring the Context of Human Freedom (coedited with Roger E. Bissell and Edward W. Younkins; Lexington Books, 2019).
Personally, I count my blessings that I saw compassion manifest itself throughout 2020 as people came to each other’s assistance.
I count my blessings that I have family and even neighbors, who have become like an extended family, offering their love and support through it all.
I count my blessings that I have great doctors who were able to coordinate the squeezing of nearly six months of “elective” surgical procedures into a two-month period, completing (and recovering from) four surgeries by the first week of November.
I count my blessings that I was then able to summon the strength to face a dire medical crisis on November 13th, when I almost lost my sister (to a non-COVID-related illness). In the middle of this, we had to give up our cat Cali for adoption, but I count my blessings that she was adopted by a loving mommy—who had first given her to us!
I count my blessings that I have seen, for months on end, the heroism of first responders, saving the lives of countless people, including my own sister’s life, as EMS workers rushed her to the emergency room on that harrowing morning. After a month in the hospital, my sister returned home on December 12th, brought up the stairs in a wheelchair by a couple of other EMS workers who showed the same depth of care as those who first brought her down.
Through it all, we’ve never lost our sense of gallows humor. When my sister wondered how on earth she would get down the stairs to go for follow-up medical appointments, I told her: “If all else fails, there’s always the Richard Widmark Way!” (For those who haven’t seen the 1947 film, “Kiss of Death,” check it out [YouTube link]!) We have a tough road ahead, but we are here to talk—and to laugh—about it.
I count my blessings that when I wrote about my sister’s ordeal, I saw an outpouring of love and support on Facebook, on email, and elsewhere, attesting to how deeply she has affected the lives of so many people: her colleagues, her friends, and, most of all, those who were her former students.
I count my blessings that at the end of this challenging year, I am here, my sister is here, my brother and sister-in-law are here, my family and dear friends are still here. We are here to lift a glass to the promise of 2021, knowing full well that when we did so at the end of 2019, in the hopes that 2020 would bring greater health and happiness to all, we had no clue what we were getting ourselves into.
We don’t know what lies ahead, but we do know that this too shall pass. Or as my urologist’s office reminded me: “It may pass like a kidney stone. But it will pass.”
Count your blessings, folks. For there is no truer cliché than this one: Where there is life, there is hope. And where there is love, all things are possible.
Song of the Day #1830
Song of the Day: Have a Wonderful Christmas Day, words, music, and arrangement by my friend, Roger Bissell, is delivered in a sweet a cappella version, in which his immensely talented grandson, “Super Milesio” [YouTube channel], sings all nine parts! My best wishes to all my colleagues, friends, and family for a wonderful Christmas Day! Check out this wonderful song [YouTube link]!
Song of the Day #1829
Song of the Day: Happy Christmas (“War is Over”) features the words and music of Yoko Ono and John Lennon. Lennon was tragically killed forty years ago on 8 December 2020, but this 1971 Christmas song remains one of the artist’s signature post-Beatles tracks (with the Harlem Community Choir), a quintessential expression of his peace activism—and of this holiday’s message of peace on earth, goodwill toward all. Check out the song on YouTube. Tomorrow, I’ll post a new Christmas song. But today, it’s a Merry Christmas Eve … and don’t forget to check out Santa’s NORAD status across the globe!